This book follows the author’s messianic quest after the passing of the 20th century. Along the way, he comes to realize that he was not meant to walk alone; rather, the woman meant for him had been following his every step for many decades. She had followed him to Georgetown in 1983, and was witness to his suicide attempt on a humid night in August, the start of the school year. As recorded in the author’s earlier book, he had come to realize that he was living a special life in 1984, when he was deceived by unethical mental health practitioners and supposed friends into Kekela, the Queen’s Hospital’s mental ward. Each person there apparently knew of his special destiny, but not one of them overtly displayed it.
As the years went by, Taba lost focus of the conspiracy along the way to becoming a very heavy drinker. But at the turn of the century, the writer regained his messianic consciousness, once again coming to full awareness. In May 2001, he deciphers a call for help by an anonymous woman in the songs, commercials, and deejays’ comments on the radio. Our hero extemporaneously attempts a daring rescue, but fails to win her hand. As time goes by, Taba comes to understand that he actualizes his divinity each day, rather than after reaching a finish line to full realization. By keeping in mind his special situation, the author actualizes his quest as the self-effacing bodhisattva he has become.
About the Author
Stuart N. Taba was born and raised in Hawaii, where he continues to reside. He graduated from the University of Hawaii in 1982, then failed to succeed at law school at Georgetown in1983 and at UH in 1989. After due soul searching, he wrote of his experiences in My Quest: A Retrospective Journal, published for a fee by Dorrance Publishing Co., Inc. This book continues the life story of a humble philosopher, and is self-published by Lulu Enterprises. The author writes, in My Endless Quest, of his drunken wayfaring leading to the night of The Rescue on May 5, 2001, when he began to understand that his freewill very clearly shapes his life in dialectic interplay with predetermined opposition. J
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